Johannesburg, South Africa, December 1st, 2007 Options

[SJN1279]

From FOL.com:
10/31/07 - LIVE joins 46664 Johannesburg concert

LIVE has just announced that they will board the 46664 Johannesburg concert at Ellis Park next month. The last minute addition to the World AIDS Day concert on December 1 was confirmed today. The band will appear alongside the twenty-two other international and South African artists already lined up for the show, which is being staged to show support and raise funds for former President Nelson Mandela’s 46664 HIV AIDS campaign.

Confirming the band’s participation, Ed Kowalczyk said: "Nelson Mandela is one of the most inspiring and uplifting figures of our age. His tireless efforts to bring freedom and healing to the people of Africa transcend the boundaries of country and creed and speak directly to the heart of all humanity. LIVE is tremendously honoured to be part of this year's ‘46664’ concert."

As announced by Mr. Mandela on Monday of this week, fifteen of South Africa’s biggest artists have already come forward to join the concert alongside world artists Peter Gabriel, Annie Lennox, Corinne Bailey Rae, Razorlight, Ludacris, Goo Goo Dolls, Jamelia and Angelique Kidjo.

Tickets for the concert are priced from R120-00 (excluding service fee) and are available from Computicket. Call on 083 915 800 or visit website at www.computicket.com for more information.

It's in our hands
Visit www.46664.com

[Maggie]

I am soooo stoked right now!!!

[Maggie]

I am soooo stoked right now!!!

It was televised live on the day the previous two times in SA and have also been available on DVD after. So I'm sure everyone will get to see it!!

[Maggie]

Found this article:

Indie rockers Live to join 46664

[SJN1279]

Found this article:

Indie rockers Live to join 46664

Thanks for the kind Maggie. We definitely want a review if you attend. Kind of cool to see Live called "Indie rocjkers" IMHO. Here is the article:

Indie rockers Live to join 46664
01/11/2007 14:51 - (SA)



Madiba, stars set for 46664 gig

Stars line up for 46664 concert

46664 concert to rock Jhb

Madiba announces Aids concert








Cape Town - One of the most successful and enduring alternative rock bands of the past two decades, Live, have just announced they have answered former President Nelson Mandela's 46664 HIV/Aids campaign call and will board the 46664 Johannesburg concert at Ellis Park next month.

The last minute addition to the World Aids Day concert on December 1 was confirmed by band lead singer/guitarist Ed Kowalczyk on Wednesday.

The band will interrupt their current schedule of US tour dates especially to appear alongside the twenty-two other international and South African artists already lined up for the show.

LIVE's addition to the bill will be a much welcomed return to South Africa for the band which during the 1990's and 2000's has sold over 20 million CDs worldwide.

The band's last two shows on South African soil when they played to more than 40 000 fans sold out in a matter of days.

'One of most inspiring figures of our age'

Confirming the band's participation, Live front man Ed Kowalczyk said: "Nelson Mandela is one of the most inspiring and uplifting figures of our age.

"His tireless efforts to bring freedom and healing to the people of Africa transcend the boundaries of country and creed and speak directly to the heart of all humanity.

"LIVE is tremendously honoured to be part of this year's 46664 concert."

As announced by Mr Mandela on Monday, fifteen of South Africa's biggest artists have already come forward to join the concert alongside world artists Peter Gabriel, Annie Lennox, Corinne Bailey Rae, Razorlight, Ludacris, Goo Goo Dolls, Jamelia and Angelique Kidjo.

Says 46664 International Director, Tim Massey: "This is the excitement of the 46664 concerts - right until the last moment you can never be sure who next will offer themselves to appear."

Tickets for the concert are priced from R120 (excluding service fee) and are available from Computicket.

[Hoodstock]

LIVE's addition to the bill will be a much welcomed return to South Africa for the band which during the 1990's and 2000's has sold over 20 million CDs worldwide.

The band's last two shows on South African soil when they played to more than 40 000 fans sold out in a matter of days.

Can't take that away from Live, 20 million and still going strong!

[SJN1279]

When the four members of Live first began performing together in middle school during the summer of 1985, they gave little, if any, thought to the possibility that they would still be together 22 years later. Lead singer/frontman/guitarist Ed Kowalczyk, lead guitarist Chad Taylor, bassist Patrick Dahlheimer and drummer Chad Gracey (all of whom were in their early teens at the time) were simply four friends from working-class York, Pennsylvania who wanted to express themselves by writing and performing music. But Live has, in fact, endured—and along the way, they have built an impressive résumé that includes eight full-length albums, total CD sales exceeding 20 million, a huge international fan base and extensive touring all over the world. Live has been one of the most successful and enduring alternative rock bands of the 1990s and 2000s, and despite their long list of achievements, Live are finding themselves busier than ever with a lot of songwriting, recording and big summer and fall tours.

Reflecting on the band’s past and present, Kowalczyk attributes Live’s longevity to a variety of things, including their strong rapport with fans and the chemistry that Live’s members have enjoyed with one another. “When bands become successful, the fact that all of the members have different agendas can come out,” Kowalczyk explains. “But that didn’t happen to Live because all of us were so young when we started playing together in 1985. It would be a lie to say that there weren’t moments when we didn’t get along, but the fact that we grew up together and developed our personalities in the band at such a young age helped us to stay together.”

Another thing that has enabled Live to maintain a devoted fan base, Kowalczyk theorizes, is the substantial and durable nature of their lyrics, which have often reflected Kowalczyk’s personal and spiritual concerns. “My approach as a songwriter is to write songs that are not finite and will resonate with listeners for a really long time,” Kowalczyk asserts. “Sixteen years after our first album, Mental Jewelry, I am still able to get something out of songs Live recorded in the early 1990s--and I think that one of the reasons why we have had so many fans for so long is that our fans are also continuing to find nuances in our songs.”

Live wasn’t always called Live; in the mid-to-late 1980s, the band went through several name changes before settling on Public Affection. After acquiring an enthusiastic local following, Public Affection made their recording debut in 1989 (the year Kowalczyk graduated from high school) with a cassette titled The Death of a Dictionary (which was released on their own label, Action Front Records). After hearing the band (which was renamed Live in the early 1990s) performing at the famous CBGB’s in New York City, Radioactive Records President Gary Kurfirst wasted no time offering them a contract--and their first full-length album, Mental Jewelry (which was produced by Jerry Harrison of Talking Heads fame) was released in 1991. One heard a variety of influences on Mental Jewelry, ranging from U2 to REM to Peter Gabriel to the Beatles. But it was clear that Kowalczyk and his colleagues had fashioned a distinctive, recognizable sound of their own.

“I always think of Mental Jewelry as the first real chapter in Live’s recording history,” Kowalczyk stresses. “When we changed the name of the band to Live, I had made a clear choice what kind of lyrics there were going to be and how I was going to express them. Mental Jewelry was the first real expression of Live’s vision. When I listen to that album now, I can’t believe how serious-minded and philosophical we were at such a young age.”

Mental Jewelry [which included the major hits “Pain Lies by the Riverside” and “Operation Spirit (The Tyranny of Tradition)”] sold more than one million units in the United States. The disc that truly put Live over the top commercially was their sophomore album, Throwing Copper (a 1994 release), which was the only album in Billboard history to stay on the charts for 52 weeks, then reach No. 1. Selling more than 12 million copies worldwide, Throwing Copper went down in history as one of the most definitive alternative rock recordings of that decade and boasted the MTV smashes “All Over You,” “Selling the Drama,” “Lightning Crashes” and “I Alone.” The double-platinum 1997 release Secret Samadhi (which contained the hits “Lakini’s Juice” and “Turn My Head”) became Live’s second successive No. 1 album and was followed by the Radioactive releases The Distance to Here (a million-seller) in 1999, V in 2001 (which yielded the hit song “Overcome”) and Birds of Pray in 2003 (that featured the cross-over radio smash, “Heaven”). Songs from Black Mountain, Live’s most recent full-length album, was released by Epic Records in 2006. Live has appeared on NBC’s popular, long-running “Saturday Night Live” as well as David Letterman and Jay Leno’s shows, The Ellen Degeneres Show, Conan O’Brien and, most notably, the 2006 “American Idol” season finale.

Technologically, Live’s members have witnessed many changes over the years. “In terms of technology,” Kowalczyk observes, “it’s a totally different world from when Live started. One of the things that is great about the Internet is the way it enables you to connect directly with fans.”
A major marketing tool for the band, Live's website, FriendsOfLive.com, enables them to sell the titles in their catalog and merchandise online, offer sneak previews of new recordings along with other exclusive content through their fanclub, Friends of Live (FOL), and keep followers up to date on touring activity. Live’s current tour marks the first time since 1990 that a Live tour isn’t directly aligned to promote a new album; Live’s career-spanning sets are celebrating their great history, by featuring greatest moments from all their releases along with some special surprises.

“I think Live is at a really interesting point right now,” Kowalczyk reflects. “We’ve been doing this for so long and have worked really hard to get to this point where we can play for two hours and have such a huge repertoire of songs to choose from. People love the fact that we are doing these long sets, and we are really enjoying it. But we are still in our early thirties, and I feel like we still have a lot of room to grow and experiment. Creatively, Live is still wide open.”
By Alex Henderson