Allmusic on Alive Options

[Merica]

No review as of yet, but check this out.

Apparently Ed co-wrote Drink with Daughtry, and there's another bonus track called Sweet Surrender? Am I slow and do we already know about this, or what? Also, I can't imagine Daughtry writing the chorus to Drink. That'd be a low point for him. Must've had a hand in the verses.

[Hoodstock]

No review as of yet, but check this out.

Apparently Ed co-wrote Drink with Daughtry, and there's another bonus track called Sweet Surrender? Am I slow and do we already know about this, or what? Also, I can't imagine Daughtry writing the chorus to Drink. That'd be a low point for him. Must've had a hand in the verses.

The more bonus material the better. I hope there's a few extra songs on the disc.

[Merica]

As I understand it, albeit perhaps released in different places, there's Eat Your Love, A New World and now this.

[LivesMeltdown]

Sweet Surrender was track #12 on the original tracklist for the US version.

[Bremang]

No review as of yet, but check this out.

Apparently Ed co-wrote Drink with Daughtry

so lame

[TheBeacon]

Should have made it a 13 track album with a hidden bonus track. Whatever though, just three more songs to track down after I buy the album Tueday. If I can find it that is here in the states.

[Badman]

Soul whisper records... lame

[briburge]

can someone explain to me why this is lame.

[+Ed+]

Should have made it a 13 track album with a hidden bonus track.

Should have made a 13-track album, ful of hidden tracks. Would be well worth

[Bremang]

can someone explain to me why this is lame.

Its lame that Ed has second writing credits to Daughtry IMO, because I think Daughtry is a weak Idol wannabe artist. I feel Ed used to be great..and this is a low.

[LivesMeltdown]

3 out of 5 stars

http://www.allmusic.com/cg/amg.dll?p=amg&s...g9fyxzudld0e~T1

It’s certainly possible that the title of Ed Kowalczyk’s first solo album is a pun on his status as an former member of Live -- he’s “A Live” on his own now -- but given his fondness for sincerity, it’s unlikely. Kowalczyk doesn’t like to obscure his point, he likes to emphasize it, a sensibility that extends to his arrangements, which never rely on one guitar when five could do…which is all the better when he’s writing about big themes, which he does throughout Alive. This isn’t a new wrinkle since Live always was one of U2’s most earnest disciples, making big music out of big issues, to the extent of treating the personal as a cataclysmic event. They lost a bit of that rock & roll messiah complex toward the end of their run, but Kowalczyk brings it back big time here and he’s the better for it, sounding reinvigorated, or at least louder, throughout the bulk of Alive. Apart from the opening “Drive,” a misguided stab at Billy Corgan atmospherics, this is the biggest, boldest music he’s made since Throwing Copper, lacking the overheated hard rock poses of Live’s albums immediately following that blockbuster, and feeling simpler than their otherwise admirable Live finale Songs from Black Mountain. The big difference is, there aren’t skyscraping hooks here, only unfettered passion and sincerity, the eternal Kowalczyk trademarks that now get to burn brighter now that he’s on his own.

[LivesMeltdown]

I didn't realize AllMusic had it's own thread already, although it didn't have the review in it. Dan, you could probably just move this in that thread if you want.

This post has been edited by LivesMeltdown: Jul 6 2010, 3:58 am

[Merica]

AMG has always been so full of fucking shit.